Zeppo plays Firefly's secretary Bob Roland, and Chico and Harpo play spies Chicolini (with his dog Pastrami) and Pinky.
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His benefactress, the millionaire dowager Gloria Teasdale (Dumont), describes him as "a progressive, fearless fighter," but he could just as well be described as a reckless, merry despot, out for himself and disinterested in anything else. Firefly, newly installed leader of the land of Freedonia. In short, for all its wild comic abandon, Duck Soup has darker implications than the usual Marx Brothers comedy and, as such, feels the most relevant and sharp in its satire.
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But Groucho plays an uninformed, wanton tinpot tyrant Chico goes on trial for treason Harpo goes after not only the film's ostensible villain, Ambassador Trentino, but also Edgar Kennedy's slow-burning but essentially innocent lemonade vendor and there's no room for a romance or piano or harp solos. In casual terms, it has all the trappings we associate with a Marx Brothers picture: Groucho leering at Margaret Dumont, Chico's dimwitted doubletalk, Harpo's mischevious clowning, and musical numbers. If Duck Soup is about anything, it's about the abuse of power and the absurdity of war. The 1933 film is an outlier in the Marx oeuvre, mostly in ways that relate to its epic scale.
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When pressed, most select Duck Soup as the best of the Marx Brothers' films, and it's easy to see why. The Marx Brothers Silver Screen Collection (1933)